TOULOUSE
This long-term immersion in Tuareg musical culture has enabled me to discover the sound and use of the anzad, a single-stringed fiddle traditionally played by women.
At the crossroads of experimental electronics, drone and noise, the music invites confrontation, deceleration or, on the contrary, submersion. A sound space that transforms us.
A corridor, a delimited passage in which landmarks waver. What do we experience in the corridor?
