TOULOUSE
First and foremost, there is a body, confined within the space of an overly pristine, cramped living room. There, every breath, every gesture, every sound takes on a gigantic dimension. A meticulous attention to detail that draws as much on interpretation as on stage design, for this production which establishes a vital dialogue between presence, poetry and the physical and acoustic space. *Hauts Cris (miniature)* puts this body to the test against everything that passes through it, transforming it into a sounding board. In response to the verses of the poet Agrippa d’Aubigné, Vincent Dupont gradually unfolds, from his first sigh to the liberating cry, towards a physical musicality in the service of this emancipatory revolt.
