TOULOUSE
Moving through 200 different emotional states, this performance – as funny as it is fierce, as physical as it is resolutely mental – will pose the following questions:
What are our emotions made of? How do they interweave within us? What are they composed of? Should we always keep them at arm’s length? Where should we redirect their encroachment? How can we observe them? What, within them, truly belongs to us, and what eludes us? What do they reveal about us?
Emotions have been true instruments of power since time immemorial, whether by concealing them or by displaying them. But what is their true reality? What fiction can they construct through their unbridled intensity? How can we live with their overlay? How can we free ourselves from all these layers, both transgenerational and cyclically seasonal?
