TOULOUSE
Set in a world that is neither Christian nor pagan, but where all empirical beliefs pay no heed to morality or ethics, let alone common sense, the story plunges the world into a realm of hysteria, madness and bloodshed. Mischief, slander and treachery are but paltry theatrics compared to the bewildering stagnation that pervades this world. A world that, inadvertently, has failed to grow up; it remains forever in search of maturity, on its way, one hopes, towards its humanity. ’ – Dieudonné Niangouna
