TOULOUSE
What risk could there possibly be in putting together an amateur choir in preparation for a major concert? On the face of it, none at all – it’s a wonderful, joyful opportunity to breathe new life into traditional songs and share the culture behind them… provided the conductor isn’t part of a European cultural project with far more ambitious aims! It is this subtle, gradual shift that intrigues Gabriel Sparti, who has opted for a musical theatre piece in the vein of Christoph Marthaler. From carefree happiness to authoritarianism, the director draws inspiration from real-life instances where folklore was hijacked and transformed into fascist propaganda. A play that is as funny as it is terrifying, exploring the threats that loom all around us.
