TOULOUSE
Somewhere between a stand-up comedian and a university lecturer, Gaspard Chauvelot develops, through these regular press reviews, the character of an enthusiastic and obsessive speaker. The premise is simple: for this character, current affairs do not exist. Current affairs are nothing more than a colossal work of fiction, which should be analysed as such, just as one would analyse a film, a novel or a poem. Not to mention the study of the production process, the work of the special effects technicians, and the actors’ performances…
